Through My Eyes

What do I see in performing underground, in public spaces? People who are getting from one place to another, multitasking, talking, lugging, running, ear buds playing another song, people can still hear their surroundings, just with an added track. Excuse the pun.  Why not layer live music in this life way?  Un-perfectly played out in the exact opposite of a recording studio where pure acoustics, frequencies reign with nothing out of place that you can’t erase.  Underground the sounds are fierce, undeniably raw, sometimes elegantly played out even with a turnstile gate siren pulsing its screech, or the rumble of a nearby train.  Like fingerprints always different never the same. Random.

And the people who pass everyday, play out their own soundtrack made of what’s in their head, and the obstacle course of exterior sound to challenge them.  We all add to the harmony, even when dissonant.  Most times Big Band and Symphonic like.

And people that discover me at my various locations have plenty of things to say.  Advice-be careful how much money to leave in my bag, Praise-how much they love the MUNY program, Emotional-a song I play might be a loved ones favorite. People who approach me to chat aren’t talking just because they have nothing better to do, they feel compelled to express themselves. Why? Live music right there in the midst of the chaos announces there’s another layer going on in the comings and goings.  Turnstile turnings and passing subway cars.

Human nature survival, the daily grind.

Whatever you want to call it.

Some see life as “it hurts.”

Others witness it as an “inspiration.”

Whether it’s “breathing” or “inner peace” or a daughter” or “music” or “me” or  “you” or “art” or “rapping” 

I’m full every day while performing for this kind of seen and unseen crowd.  Today you can find me at LIRR next to the flower stand, (Spring is here) 7th ave @34th st.  My other gigs are listed on this site

What Inspires You?

Fallen Friends

April 4th has had a huge significance in my life.

On April 4, 1965  Richard Grier, my father slipped into a coma, and lost his battle with cancer on April 25th in Middletown, CT age 33 

On April 4, 1968 Martin Luther King was gunned down in Memphis, TN age 39

and On April 4, 1989 Peter VanderPutten lost his fight with AIDS in Key West, FL at The Cypress House the guest house he owned.  I was by his side. Peter my cousin, my teacher age 48

I wrote a song called "Fallen Friends" for Peter and for all those lost to AIDS so many, so quickly in the 1980's. We haven't forgotten, now more than ever.

listen to an MP3 Fallen Friends 

Lyrics

Fallen Friends Words/Music-C. Grier Sesac Singerfish Publishing 

Where Have My Friends Gone

They Have All Fallen

Where Are My Many Fallen Friends

 

I Hope They Are Somewhere

Where No Anger Resides And There's No Hate

Where No One Decides What's Wrong Or Right

Before Its Too Late

 

Where Have My Friends Gone

Last I Looked They Were Healthy And Funny

But Where Are My Many Fallen Friends

I Keep Looking Again

 

Chorus:

And They're Falling

My Falling, Falling Friends

My Falling, Falling Friends

 

Some Saw Denial

And There Lifestyles On Trial

Some Tried To Say

Why Has The Government Looked Far Away

Number Days Are All Gone

 

Chorus

 

And What We Are Missing

By Not Taking A Stand

Are The Many Numbers Too Afraid To Lend A Hand

And There's Such A Demand

 

Lives That Are Cut Short

It Doesn't Make Sense

Why Can't We, Why Can't We Rise Up

And Help Find A Cure, Others Aren't Sure

And They're Falling Falling Lovers, Falling Men

Falling Women, My Falling Friends And They're Falling Children

Falling Lovers, Falling Men, Falling Women, My Falling Friends

Will The Falling Ever End

Equine Advocates Max Tucci and NYCSubwayGirl

I was a guest on Max Tucci's radio show "Max & Friends" on LA talk radio Sunday March 27th. Here's the MP3 archive of the show 

Max will be hosting and I will be performing to benefit Equine Advocates Horse Sponsorship Drive 2011 on Saturday, April 2nd from 4 pm – 7 pm in the gallery at TK Home and Garden (441 Warren St.) in Hudson, New York. The ultimate goal is to acquire sponsors for all 80 horses, ponies, donkeys and mules who reside at Equine Advocates Rescue & Sanctuary in Chatham, NY.

Horse Sponsorship is our most successful program,” says Equine Advocates President, Susan Wagner.  “Sponsors visit the sanctuary whenever they like and play an important role in the life and upkeep of their rescued equine. There are several levels of sponsorship starting for as little as $50 a month. It’s a great program for people who love horses.”

Oscar Maximillian “Max” Tucci, is the host of Max and Friends on LA Talk Radio. He is a fashion, lifestyle and culinary expert who appears regularly on TV, in print and on radio. He stars in cooking and fashion shows, is the creator of the popular new Oscar’s Delmonico Vodka and is in the process of opening a new restaurant. As a result of his achievements, he was recently added to the 2011 biographical listing, Marquis Who’s Who in America & Around the World  Max’s motto: “Remember to take life…2theMAX!”

I became involved with Equine Advocates in 2010 when I learned about the rescue of Bobby II Freedom, a former NYC carriage horse. I visited Equine Advocates to meet Bobby who arrived to live out his life away from a punishing life on NYC’s streets and pending slaughter. It made me so happy that a dream home is not only possible for Bobby, but exists at Equine Advocates. Seeing other rescued horses, ponies and donkeys and hearing their stories showed me the importance of Equine Advocates and the amazing level of love and care they receive. I applaud and support their tireless work to save, protect and care for discarded and disrespected equines.

Cocktails and hors d’eourves will be served.  People interested in equine sponsorship or learning more about this program are invited to attend. Admission is free, but there is limited room - Guests need to R.S.V.P. by March 30th.  For more information or to make a reservation, please call (518) 245-1599. 

I hope you can attend and if not will consider sponsoring an Equine.

Update on 2011-05-09 12:56 by NYC Subway Girl

Equine Advocates benefit that I performed in raised about $11,500 on Saturday...which included six new sponsorships! - Two for Harry (slaughter-bound Thoroughbred) and one each forMelanie (PMU offspring), Jeremy (Quarter Horse rescued during a cruelty case), Sophia (former PMU mare) and Connor (PMU offspring.

I was featured on the cover of the Chatham Courier

 

 

vote for me = creative time in a great space

April 1st deadline

 to 

vote for me 

 is fast approaching.

Crowdfunding site 

RocketHub

, has an opportunity for one artist to spend 4 days in Gibson's showroom to be creative, write, play and meet industry pros who will check in throughout the stay. (

The Gibson showroom is in the old 

Hit Factory recording studio)

RocketHub

 calls it a musical retreat where the lucky winner will be able to use any of the many guitars and instruments while working in a fantastic studio environment.

I'd love to have the chance to be able to hang out for a few days and be creative, quite a change from the underground!

Please 

follow the link

 to learn more, read my submission, see my clip, hear my audio and 

vote for me

 to have this chance.  

It's FREE. It's easy, and thanks.

What is 

crowd funding 

? Read about 

RocketHub

 opportunities

 and how they work.

rockethub launch party.jpg

Here's me jammin' at the launch party for RocketHub at none other than the Gibson Showroom, time for me to make another visit, don't you think?

smile, smile, smiles

Lately I've been thinking a lot about why I perform in public spaces.  As the weather gets better, (at least no longer intensely cold and slippery) performances have less of an outward bound experience and more of a cozy hang.  I am reminded why this type of entertaining is so compelling to me.  Chat with most street/subway performers and one thing will shortly pop out of their mouths-how much smiles are an integral part of our experience.  To make people smile. To be smiled at, could there be nothing more pure and a deeply perfect part of the human experience?

My songs in public spaces aren't rushed like the commuters needing to get to where they're going.  Or precisely calibrated for a concert stage. Songs are interrupted, shortened, abruptly stopped or strangely 3x longer than usual.  It doesn't matter as the experience for the most part is new every few seconds.  It's liquid, elastic and malleable. What I say is, "it's not precious."  Meaning I can do what I want when I want.  As I sing I can even interrupt myself.  I might comment on someone walking by with a huge bouquet of flowers...."are those for me?"  Or a Double Bass rolling past like a strange creature....."I could use a Double Bass on this groove right now."  To say Hi to a child whose curiosity draws them closer to take a listen. Or cut short my singing and mark time with my guitar while a noisy express train rushes past and pick up with the vocal exactly where I left off in time for people to not miss a beat (now that's a fun exercise).  And people love to chat when they can, that's how I began filming my series "What's Your Inspiration?" for this website.  People feel at ease to stop and chat and many times while I'm still playing.  Hey this is NY folks, and we're comfortable jumping right in whether it's in the middle of a song or not.  The gems I hear.  The things people have to say. Here's a few comments I've heard:

"What inspires me? Beauty in small things we take for granted." Karim, Manhattan

"Music is in my soul, I get goose-bumps, I feel heightened.  Maybe if people had the right music they’d be happier." Ester, Manhattan

"Not have to go to a job I hate every morning, inspires me." Kayra, Queens

What's Omnia, from Staten Island inspiration? "The people that commute, the dedication and obligation to take 2 trains and a boat." 

So the next time you're rushing by and can't stop, no worries, I understand.  and if you can, stop by and share why you appreciate music in public spaces.

And as John from the fun group Xylopholks says, "someone walking by might be thinking one thing and thought otherwise thanks to the music." That's inspirational.

Triangle shirtwaste factory fire 100 years

Triangle shirtwaist factory fire was 100 years ago today, a fire where 147 women locked inside died and one that sparked the labor movement today. It launched and became a model for the nation and a labor movement (New Deal, Welfare State, Right To Organize to name a few) that is now being challenged and vilified today in places like Wisconsin.

Instead of throwing out labor rights, we need to remember, remember, remember why the American labor movement started in the first place. To keep workers safe, in healthy conditions, with realistic hours, and decent wages.  Remember last December in Bangladesh a Garment factory fire killed workers who were striking to make 35 cents per hour, or around $43 per month, while producing clothing for Gap, and JC Penny should give us all pause.  

mourning.jpg

NY Times article

Wikipedia  The building is located at 245 Greene Street in lower Manhattan.

The lives of the women who perished should not be in vain.

Before the fire, the women who perished were fighting/striking for better working conditions, were victimized, lost their lives but set the stage for workers rights today. 100 years later it feels like we are actually repealing the 20th century. Their efforts should not be in vain.

Today's Democracy Now with Amy Goodman had a fantastic panel of speakers talking about the tragedy and the positive change that swept the country after the fire. Watch the clip here:

 It's worth a listen here of their podcast.

Plasticless NYC? Join Juli's quest

Sustainabilty kudos this week go to blogger Juli @ Plasticless NYC

Juli's got things into perspective and is doing something to help reduce and stop our addiction to plastic.  She writes a great blog called Plasticless NYC.  Haven't you ever thought about where all those bottles go? Even if we do recycle them, there is so much energy and waste and pollution that goes into making/re-making them. Here in NYC, in my humble opinion we have the best tasting water. What happened to enjoying our own tap water in a glass?

Check it out

Here's one post about why Kool-Aid is cooler than any bottled flavored mineral water.  Not that I ever drink flavored drinks, but her 10 reasons to rethink kool-aid are great:

10. You can say "Yeah, I'm drinking the Kool-Aid" without a hint of irony.

9. Less packaging = Less plastic pollution

8. Kool-Aid is a lot less expensive than Vitaminwater products.

7. Unlike Vitaminwater, Kool-Aid doesn't brag about how nutritious it is, then have its lawyers say 'no consumer could reasonably be misled into thinking our product was a healthy beverage'. And Kool-Aid even has 10% daily value of Vitamin C.

6. With Kool-Aid, you can know exactly where the water is coming from, and what is in it. Not true with Vitaminwater.*

5. The money you spend for Kool-Aid isn't going to multimillion dollar celebrity ad campaigns (yuck).

4. You generally don't see Kool-Aid packets littering city streets. Vitaminwater bottles? They're all over the place.

3. Instead of drinking stuff that looks like Kool-Aid, you could just drink Kool-Aid.

2. Vitaminwater is over-hyped and over-exposed. Kool-Aid is retro.

1. "Hey, Ellen DeGeneres!" just doesn't have the same ring as "Hey, Kool-Aid!"

 

Here are some other cool blogs Juli's plasticless NYC follows and you should too:

5 actions you can do your part in reducing our addiction to plastics=petroleum based products.

A chance to write, will you help?

I have a chance through crowd funding website

RocketHub 

 to win the opportunity to spend 4 days at New York's Gibson's showroom to write and play and meet industry pros who will check in on what I'm up to.

Your

vote for me is FREE

.

RocketHub calls it a musical retreat where the lucky winner will be able to use any of the many guitars and instruments while working in a fantastic studio environment. The Gibson showroom is in the old

Hit Factory recording studio

. The list is endless of the amazing recordings that came out of the Hit Factory.  Years ago I had stopped by to visit friend and engineer/producer Steve Rinkoff who was mixing Celine Dion's record. I was blown away by the room. I'd love to have the chance to be able to hang out in that environment for a few days, quite a change from the underground!

Please 

follow the link

 and 

vote for me

 to have this chance.  It's FREE.

It's easy, and thanks.

What is 

crowd funding 

? Read about 

RocketHub opportunities

 and how they work.

rockethub launch party.jpg

Here's me jammin' at the launch party for Rockethub at none other than the Gibson Showroom, time for me to make another visit, don't you think?

nerve ending of nuclear reality

As the nuclear catastrophe continues in Japan, my heart goes out to the Japanese people, not to mention all of those who will be affected by the disaster.  Radiation, knows no borders. 

thinking of climate change??

How about our Energy policy?

Just in case you're not, FYI there's now a no-fly zone over Fukushima power plant.

Nuclear power means increased risk of disaster.

nuclear power peacefully?  Is that possible?

don't think so

terrorism?

mother nature??

Tsunami?

Earthquake?

Rising radiation levels.

did I just hear someone say we're at more risk of dying while texting and driving?

Come On, we aren't addressing the facts in proper perspective

Deja Vu?

Interesting how Japan the recipient of this civilizations lowest moment in it's history has full circle returned to the source of it's pain.

the power of nuclear explosions.

time for a change

Japan is on the nerve ending.  My heart aches, my within me vibration is on alert.

the only way to make it right is to fight to find a way.

It's time.

japanese anti nukes bryant pk 0 00 01-18.jpg

Bryant Park during anti-nuclear march at UN

Living off the grid can bring amazing gifts

My guest blogger this month is the inspirational John Wells and his Field Lab. John sold his home in upstate New York to live off the Grid in Texas.  He has found a completely new life filled with deep connections and meaning.

the Field Lab blog he writes on is filled with amazing stories of how he is creating a sustainable and energy independant life.  The stories of his friends (two legged and four), his photographs and his perspective are worth taking a look at.  He is living proof that within us all is the ability to get up and change our lives, be creative, be challenged and find happiness in simpler things.

Need just a little bit of what his wide open space looks like?

When the allure of cramped apartment living has worn off, when you've been bumped one too many times from texting pedestrians, and when grimy post winter potholed NYC streets is just too much to bear, check out John's live webcam

Penelope Green of the NY Times traveled to visit John and published his story in last weeks NY Times Home section.  I love the idea that John lives quietly with 500k+ virtual visitors, living through his eyes and seeing how one man decided he could change his life and create a magnificent happy and peaceful world.

John has an artists eye in everything he sees.  As a photographer his images capture a magical world he has created. check out his lovely postcards.

Read about his story and follow links to his site and be inspired.

John and Goldie

 

 

peacefully and happily Living Off The Grid

Here's John's story:

T  H  E    F  I  E  L  D    L  A  B

Welcome to the Southwest Texas Alternative Energy And Sustainable Living Field Laboratory!


Have you ever thought to yourself, " How would I do it if I had it to do all over again?"  Usually this thought only pops into your head when you are about to die or your life is in ruin or perhaps during a midlife crisis where family and job stress suddenly takes its toll.  This feeling is usually accompanied by mounting debt and an overwhelming feeling of being trapped in the life you have chosen.  Tension in the world, an unstable economy, high fuel prices, and mind numbing popular culture may also add to this feeling of utter futility.  For me, it was a little bit of all of the above but the real tipping point was the death of my father last year.  That made me sit down and take a serious look at where my path has led me and how I could best proceed to live a fulfilling life and honor his memory. 

Several years ago I began experimenting with alternative energy.  I feel that the technology today has advanced enough and the costs have dropped to the point where just about anyone can make the move to off the grid living.  This just happened to coincide with discovering accounts of pioneer life of some of my relatives from over 100 years ago.  Their lives were difficult back then, but I sensed a feeling of great joy and accomplishment in overcoming hardship - where hard work payed off and living life was a fulfilling experience.  I began to envision my life as a pioneer in the 21st century,  and have chosen to follow that path.  

In taking inventory of my life to this point in time, I believe that over the years I have picked up just the right skills and mentality to live my dream of how I would do it if I had it to do all over again.  I suddenly found myself at the perfect point in my lifetime to go for that dream.  Rather than spend the rest of my life busting my ass so I can afford all the modern, pre-packaged conveniences that our "advanced" society provides - I am putting that energy into providing for all my own needs.   To quote some new friends of mine who have also chosen this lifestyle,
" Every day, we get up, have coffee with the early morning, do chores, then get on with whatever project we have going… there’s often a choice. We go to bed tired, but very happy and peaceful."

 

I began my journey in December 2007.  Along for the ride was my trusty old dog, Goldie.  She was with me at the beginning of construction out here in the desert - my constant companion.  At 17 years of age, she had multiple health issues and finally had to be put down in March.  She was a great pal and a real trouper.  Her favorite pastimes here in the desert were sleeping in the shade, constantly keeping me within eye site when awake, and eating coyote poop.  Goldie is buried out here on the property and I hope that when GoogleEarth updates the satellite photo of my area, you will be able to spot the pyramid that marks her grave.

John and Goldie

the Field Lab blog by John Wells

John has an artists eye in everything he sees.  As a photographer his images capture a magical world he has created. check out his lovely postcards.

Need just a little bit of what wide open space looks like?

When the allure of cramped apartment living has worn off, when you've been bumped one too many times from texting pedestrians, and grimy post winter potholed NYC streets is just too much to bear, check out John's live webcam

Penelope Green of the NY Times traveled to visit John and published his story in last weeks NY Times Home section.  I love the idea that John lives quietly with 500k+ virtual visitors, living through his eyes and seeing how one man decided he could change his life and create a magnificent happy and peaceful world.  He blogged about me too.

 

Carriage Horses need a better life

When I perform in the underground under some pretty grueling weather, I say, "if the carriage horses aren’t working either should NYCSubwayGirl" (there are temperature limits imposed, which many drivers ignore). Most people like to think of riding in a NYC horse-drawn carriage through Central Park as a quaint and jolly trip back in time. But thanks to the heartfelt rescue story of Bobby the Carriage horse, I now believe using carriage horses under any condition in NYC is cruel and inhumane.

Bobby now lives in Chatham, NY at Equine Advocates a sanctuary, where he will live out his life away from the punishing life on NYC’s streets and pending slaughter.  It made me so happy that a dream home is not only possible for Bobby, but exists at Equine Advocates. Seeing other rescued horses, ponies and donkeys and hearing their stories showed me the importance of Equine Advocates and the amazing level of love and care they receive.

I'll be performing to benefit Equine Advocates April 2nd in Hudson, NY

I think the PETA awareness campaign seen on many NYC streets, to be right on!

Lea-Michele-PETA-Ad.jpg

read my blog about Bobby written by Elizabeth Hess

100th International Women's Day

by Eve Ensler

Author of 'I Am An Emotional Creature" and "The Vagina Monologues," Founder of V-Day

Posted: March 8, 2011 12:00 AM

For the Builders, the Planters, and the Refusers, on the 100th Anniversary of International Women's Day

On this, the 100th anniversary of International Women's Day, I want to take a minute to honor grassroots women's activists across the planet -- women, like those working tirelessly in Haiti, who have inspired their communities, united their communities, and led their communities, holding them together and pushing them forward.

Today, I want to particularly honor the women on the ground in the Democratic Republic of Congo, who have organized and worked for peace and freedom over the many years of conflict that has been fought in their country and on their bodies. On February 4, the women of Congo, in partnership with V-Day and the Fondation Panzi (République Démocratique du Congo), opened the City of Joy, a revolutionary leadership community for survivors of sexual violence that will be the headquarters of a grassroots women's movement in Eastern, DRC.

A group of women, called "Friends of V-Day," built the City of Joy -- they were possibly the first female construction crew in Congolese history. These women mixed the cement, carried loads on their shoulders, made the bricks. They built the City of Joy with their own hands, understanding, with each careful step, that making a world and living in the world are not separate. Each day that the women built, they took time to dance and sing. It was part of the day's work, and now that spirit is literally built into the walls of the City of Joy. These women were aware that it takes a very specific constellation of ingredients to create a community, the way water, sun and earth all come together to build a new world. In the final days before the opening, the women planted grass, blade by blade, on the grounds of the City of Joy. That is how movements are born -- individual green blades, planted one by one, nurtured by water and light, protected until they have grown into grass.

Today, I dedicate my piece, REFUSER, to all the builders, all the grass planters, all the individual, green, sparkling blades of grass. I dedicate it to all the girls and women joining forces across the earth, to create change and revolution. 

REFUSER

From the Lebanese mountains

To the Kenyan village of El Doret 

We are practicing self-defense

Versed in Karate, Tai Chi, Judo, and Kung Foo 

We are no longer surrendering to our fate.

Now, we are the ones who walk our girl friends home from school. 

And we don't do it with macho. We do it with cool.

Our mothers are the Pink Sari Gang 

Fighting off the drunken men

With rose pointed fingers and sticks in

Uttar Pradesh.

The Peshmerga women

in the Kurdish mountains

with barrettes in their hair

and AK47's instead of pocket books.

We are not waiting anymore to be taken and retaken.

We are the Liberian women sitting

in the Africa sun blockading the exits 

til the men figure it out.

We are the Nigerian women

babies strapped to out backs

occupying the oil terminals of Chevron.

We are the women of Kerala

who refused to let Coca Cola

privatize our water.

We are Cindy Sheehan showing up in Crawford without a plan.

We are all those who forfeited husbands boyfriends and dates

Cause we were married to our mission. 

We know love comes from all directions and in many forms.

We are Malalai who spoke back to the Afghan Loya Jurga

And told them they were "raping warlords" and

She kept speaking even when they kept

trying to blow up her house.

And we are Zoya whose radical mother was shot dead when Zoya was only a child so she was fed on revolution which was stronger than milk

And we are the ones who kept and loved our babies

even though they have the faces of our rapists.

We are the girls who stopped cutting ourselves to release the pain

And we are the girls who refused to have our clitoris cut 

And give up our pleasure.

We are: 

Rachel Corrie who wouldn't couldn't move away from the Israeli tank.

Aung San Suu Kyi who still smiles after years of not being able to leave her room.

Anne Frank who survives now cause she wrote down her story.

We are Neda Soltani gunned down by a sniper in the streets of

Tehran as she voiced a new freedom and way

And we are Asmaa Mahfouz from the April 6th movement in Egypt

Who twittered an uprising. 

We are the women riding the high seas to offer

Needy women abortions on ships.

We are women documenting the atrocities

in stadiums with video cameras underneath our Burqas.

We are seventeen and living for a year in a tree

And laying down in the forests to protect wild oaks.

We are out at sea interrupting the whale murders.

We are freegans, vegans, trannies 

But mainly we are refusers.

We don't accept your world

Your rules your wars

We don't accept your cruelty and unkindness.

We don't believe some need to suffer for others to survive

Or that there isn't enough to go around

Or that corporations are the only and best economic arrangement

And we don't hate boys, okay?

That's another bullshit story.

We are refusers

But we crave kissing.

We don't want to do anything before we're ready

but it could be sooner than you think

and we get to decide

and we are not afraid of what is pulsing through us.

It makes us alive.

Don't deny us, criticize us or infantilize us.

We don't accept checkpoints, blockades or air raids

We are obsessed with learning.

On the barren Tsunamied beaches of Sri Lanka

In the desolate and smelly remains

Of the lower ninth

We want school.

We want school.

We want school.

We know if you plan too long

Nothing happens and things get worse and that

Most everything is found in the action

and instinctively we get that the scariest thing

isn't dying, but not trying at all.

And when we finally have our voice

and come together

when we let ourselves gather the knowledge

when we stop turning on each other

but direct our energy towards what matters

when we stop worrying about 

our skinny ass stomachs or too frizzy hair

or fat thighs 

when we stop caring about pleasing

and making everyone so incredibly happy-

We got the Power.

If 

Janis Joplin was nominated the ugliest man on her campus

And they sent Angela Davis to jail 

If Simone Weil had manly virtues

And Joan of Arc was hysterical

If Bella Abzug was eminently obnoxious

And Ellen Sirleaf Johnson is considered scary

If Arundhati Roy is totally intimidating

and Rigoberta Menchu is pathologically intense

And Julia Butterfly Hill is an extremist freak

Call us hysterical then

Fanatical

Eccentric

Delusional

Intimidating

Eminently obnoxious

Militant 

Bitch 

Freak

Tattoo me

Witch

Give us our broomsticks 

And potions on the stove

We are the girls

who are aren't afraid to cook.

"Refuser" is published in Eve's newest work - I AM AN EMOTIONAL CREATURE: The Secret Life of Girls Around the World, just released in paperback from Villard Trade Paperbacks.

Eve Ensler, a playwright and activist, is the founder of V-Day, a global movement to end violence against women and girls. In conjunction with I AM AN EMOTIONAL CREATURE, V-Day has developed a targeted pilot program, V-Girls, to engage young women in our "empowerment philanthropy" model, providing them with a platform to amplify their voices.

Follow Eve Ensler on Twitter: www.twitter.com/vdayorg

Peace Talk Radio guitar raffle #2

Hey guitar lovers, check out the raffle from Peace Talk Radio Paul Ingles (co-founder, producer, editor, and host of the series on peacemaking and nonviolent conflict resolution).

Paul wrote to me to ask for little help on a raffle of a multiple-autographed guitar with some cool signatures- John Prine, Indigo Girls, Brandi Carlile, Patty Griffin, Steve Earle and more.

The non-profit organization Paul set up in 2003 to produce the radio series PEACE TALKS RADIO is, like a lot of non-profits, struggling a bit in the post-recession climate. As a result of the economic uncertainties, one of their major grants wasn't renewed, another is in jeopardy. So they've had to get creative on fund-raising ideas and the raffle for this celebrity musician-signed guitar is their latest hope. Even if the guitar is not something you'd think you'd keep if you won, consider gifting it to a musician friend OR putting it on eBay where I'm guessing it could sell for $1000 or perhaps much more. $20 isn't much to help continue a radio program and website devoted to non-partisan talk about peace and maybe win this or one of the other cool prizes. I hope you'll follow the links and get a ticket or two or three today. It's easy with the Paypal links. 

PS I met Paul in Albuquerque, NM during a Folk Alliance conference in 1998, at the time he was producing a holiday CD called ‘Do You Hear What I Hear’ with Judy Collins as the host. My version of “Mommy Kissing Santa Claus” is on the CD and plays every holiday season on NPR stations.

Inspired, a film NYC subway musicians

Hunter college students, Ingelou and Gila two women from Holland, came by and filmed me at Grand Central Shuttle recently, they had great questions and even captured a spontaneous jam from trumpeter David who was playing down the corridor.  They also feature other NYC subway musicians.  They did a wonderful job of capturing the feeling of being a subway musician.

They shared with me what inspires them,

here's their inspiration clip

Documentary Film on NY Street Musicians

Carl Kriss and Chris Viemeister stopped by to film me performing underground on a few occasions last year for a feature documentary film about New York street musicians.  The title "Give and Take" comes from a lovely description that what we do gives more than it takes.  I love that.   The film features many of my friends.  I'm excited the film now completed, has been chosen to be the the first screening at SENE Film Festival in Rhode Island April 6-10.  Here is the link to the festival, check it out.

And the trailer:

Give and Take- Trailer (Rough) from Carl Kriss on Vimeo.

and a fun interview of film maker Carl Kriss in Interview Magazine by By MICHELLE ONG

Divas underground march 17th all day

Thursday March 17th all day @ Union SQuare 14th Street below Pavilion entrance.

For an amazing experience come hear the women of Music Under New York

here's a clip from last year's event

MUSIC UNDER NEW YORK///Station: 14th STREET/UNION SQUARE

Thursday  March 17, 2011‘DIVAS UNDERGROUND’

TIME

            PERFORMER

12:00- 12:45

Wendy Sayvetz  Folk, traditional & Bway www.abacaproductions.com

12:45- 1:45

Arlethia, Gospel  www.arlethiagospel.com

  1:45- 2:30

Samantha Margulies, Opera & Broadway www.samanthamargulies.com

  2:30- 3:15

Natalie Gelman, singer songwriter  www.nataliegelman.com

  3:15- 4:00

Cathy Grier, ‘folked-up blues’ www.nycsubwaygirl.com

  4:00- 4:45

Martine Bruno, Popera   www.martinabruno.com

  4:45- 5:30

Heidi,  Singer songwriter www.thesubwaydiaries.com

  5:30- 6:15

Grace Love, soul singer www.gracelovemusic.com

  6:15- 8:00

Nicola, Rock/Pop singer songwriter www.nicolanicola.com

  8:00- 8:45

Jami Jackson, R&B singer songwriterwww.jamijackson.net

14 Street/ Union Square…the south side of the Union Square, between the N/R/W uptown, downtown stairs… 

here's a clip from last year's event

Update

on 2012-03-28 03:24 by NYC Subway Girl

Music Under New York's DIVAS UNDERGROUND

March 17th 2011. I was able to catch a few of the other women artists of MUNY, Samantha Margulies, Natalie Gelman and Martine Bruno to share with you.

The Underground World of NYC Subway Musicians

Christopher Roberts Matthews who blogs about money and music 

I found his post online about NYC musicians in the subway.  As a performer with MUNY since 1999 I find the unique environment of performing as part of the daily soundtrack compelling and engaging. It's certainly never boring.  I find NY'ers generous with their spirit as much as with their coins.  Thanks for the post

 

by Christopher Roberts Mathews

The tension between art and commerce has a storied history, but nowhere is it more conspicuous as the New York City Subway. The city’s underground teems with musicians, artists, and performers soliciting donations for their work.

Some, like singer and ukulele player Crow Joe Ryan, make their living from the coins and dollar bills subway riders toss into his tin. Others use the forum to promote their careers above ground.

These public performers call themselves “buskers,” a word derived from the Spanish verb “buscar” meaning “to seek.” They’re somewhat of an anachronism in a world where hit songs can be downloaded for under a dollar, but are more often procured for free.

With the various business models that musicians have come to rely on buckling under the pressures of the internet and the explosion of the number of forms of entertainment, busking has stayed more or less the same. “I haven’t noticed any difference,” in the amount or kinds of people who play in the subway says violist Willy Naess, who has been busking in New York for ten years.

It seems odd that in a world where world-famous musicians have trouble convincing their fans to spend 99 cents for a professionally-produced hit song that amateurs could make any money at all playing in the subway. But there is something about a musician confronting you with their art that seems to motivate people to donate money. “I think some people appreciate another human being putting themselves out there and trying to contribute something of beauty to the work day of New York,” suggests Elizabeth Rogers, a busker associated with Music Under New York (MUNY), a program run by the Metropolitan Transit Authority which auditions and selects over 100 musicians to put on weekly performances in the some of the busiest subway stops in New York.

MUNY has been promoting music in the subway since 1985 and has “garnered great enthusiasm from the commuting public,” according to its website. Performers selected for the program are given personalized banners to display where they perform, but their compensation is no different than any other busker: what passersby deem to throw their way.

Glenn Roth, a fingerstyle guitarist and MUNY performer, sees benefits far beyond the few dollars he makes in an afternoon of playing. Playing in highly visible locations like Union Square is “the best free advertisement there is out there,” he says. Roth plays several gigs a week, including weddings, corporate events and club dates, but he says the subway is one of the best places to attract new fans and sell CDs.

The subway is a unique place in modern society where people are relatively undistracted. Most riders are cut off from the internet while underground. They commute armed with just a book or their thoughts to entertain them. Naess uses this dynamic to his advantage. He traverses the subway cars themselves playing Bach cello suites, finding he makes more in the confines of the car then when he used to play on the platform. He sees people giving money for a variety of reasons: some people are just generous, but others are pleasantly surprised to hear classical music on their commutes. “People say to me, ‘that was actually really good. I wasn’t expecting to give you anything, but here’s a dollar.”

Rogers believes that busking is unique in the personal connection it can foster between a musician and an audience. Passengers aren’t expecting to hear something that moves them, that makes them pause and reflect. “We live such busy lives, and people tend to just go go go. I’m doing something to help someone slow down a moment and notice this moment . . . to support them to just be there.”

posted 11/23/2010

Christopher Roberts Matthews blogs about money and music